VISUAL ARTS
ART1311 | The Painting Field | (0,0,4) 3 cr. |
Introduction to painting through direct experience of its materials and procedures: the picture plane, surface, format, frame, pigment and colour, forms, composition. | ||
Reserved for students registered in the Bachelor of Fine Arts (B.F.A.) or in the Major in Visual Arts. (P). | ||
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ART1321 | The Autonomous Object | (0,0,4) 3 cr. |
Introduction to sculpture through a study of the object, its modes of production (modelling, casting, sculpting, construction, the found object) and its structure (fragmented or unified, ordered or disordered). | ||
Reserved for students registered in the Bachelor of Fine Arts (B.F.A.) or in the Major in Visual Arts. (P). | ||
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ART1331 | The Photograph and Visual Culture | (0,0,4) 3 cr. |
Exploration of the nature of photography as an image-making process with an emphasis on the multiple roles of photography in contemporary art and culture; acquisition of basic camera proficiency through the production of photographs; development of the visual skills needed to address the student's own work as well as photographic issues of our time. | ||
BFA, MVA. (P). | ||
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ART1341 | The Image in Motion | (0,0,4) 3 cr. |
Introduction to moving images and time-based arts; historical and emerging aspects of technologies and their positions within the cultural field; exploration of a selection of early and contemporary media instruments such as devices of wonder, film, video, digital images, electronics and sound. | ||
BFA, MVA. (P). | ||
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ART1711 | L'espace peint | (0,0,4) 3 cr. |
Introduction à la peinture à travers une expérience directe de ses matériaux et de ses procédés : plan pictural, support, format, cadre, pigment et couleur, formes, compositions. | ||
Réservé aux étudiants inscrits au baccalauréat en arts visuels (B.A.V.) ou à la majeure en arts visuels. (P). | ||
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ART1721 | L'objet autonome | (0,0,4) 3 cr. |
Introduction à la sculpture : étude de l'objet, de ses modes de réalisation (objet modelé, moulé, sculpté, construit, trouvé) et de sa structure (fragmentée ou unifiée, ordonnée ou désordonnée). | ||
Réservé aux étudiants inscrits au baccalauréat en arts visuels (B.A.V.) ou à la majeure en arts visuels. (P). | ||
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ART1731 | La photographie et la culture visuelle | (0,0,4) 3 cr. |
Exploration de la photographie comme technique de production d images mettant l'accent sur les rôles multiples de la photographie dans la culture et l'art contemporains; acquisition de compétences de base en maniement d appareils photo par la production de photographies; développement des connaissances visuelles nécessaires à la réalisation d'un travail et à l examen des enjeux liés à la photographie de notre époque. | ||
BAV, MVA. (P). | ||
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ART1741 | L'image en mouvement | (0,0,4) 3 cr. |
Introduction aux images animées et aux arts temporels; aspects historiques et émergents des technologies et leur place dans le champ culturel; exploration d une sélection d instruments médiatiques anciens et contemporains, tels que les dispositifs de merveille, le film, la vidéo, l'image numérique, l électronique et le son. | ||
BAV, MVA. (P). | ||
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ART2160 | Art Histories | (3,0,0) 3 cr. |
Historical overview of artistic practices from Prehistory to Modernity. | ||
(H). | ||
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ART2161 | Art Theories | (3,0,0) 3 cr. |
Historical and methodological overview of aesthetic and cultural theories from the Antique period to the present. Their application to the study of the art object. | ||
Prerequisite : ART2160 or the permission of the Department. (H). | ||
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ART2560 | Histoires de l'art | (3,0,0) 3 cr. |
Panorama historiques des pratiques artistiques de la préhistoire à la modernité. | ||
(H). | ||
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ART2561 | Théories de l'art | (3,0,0) 3 cr. |
Panorama historique et méthodologique des théories esthétiques et culturelles de l'Antiquité à nos jours. Application à l'étude d'oeuvres d'art. | ||
Préalable : ART2560 ou permission du Département. (H). | ||
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ART2913 | Peinture et image I : Matérialité et méthode / Painting and Image I: Materiality and Process | (0,0,4) 3 cr. |
Exploration of the physical characteristics of painting and of diverse painting practices, through the use of various materials, tools and processes, including non-traditional materials and mixed media. Introduction to various supports, grounds, mediums and techniques related to the development of surface and image. | ||
Prerequisites: ART1311, ART1321, ART1331, ART134). BFA, MVA. A passive knowledge of French is required. Previously: ART2014. (P). | ||
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ART2914 | Peinture et image II : Motif et métaphore / Painting and Image II: Motif and Metaphor | (0,0,4) 3 cr. |
The construction of the image; development of meaning from the motif. Image as conveyor of metaphor. Development of a vocabulary of image and motif from various sources, including personal experience and observation, and from the imagined. | ||
Prerequisites: ART1311, ART1321, ART1331, ART1341. BFA, MVA. A passive knowledge of French is required. Previously: ART2014. (P). | ||
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ART2915 | Peinture et contexte I : Observation et méthode / Painting and Context I: Observation and Process | (0,0,4) 3 cr. |
Painting as direct observation; the translation of the experience of the human figure as object and subject, the transposition to painting of a range of other observed forms including still life; development of the awareness of perceptual issues and expressive possibilities in painting. | ||
Prerequisites: ART1311, ART1321, ART1331, ART1341. BFA, MVA. A passive knowledge of French is required. Previously: ART2015. (P). | ||
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ART2916 | Peinture et contexte II : Espace et lieu / Painting and Context II: Space and Site | (0,0,4) 3 cr. |
Space and land as sites of observation and the location of identity and meaning; the relationship of painting and painters to place: nature and built environment; mapping; imagined spaces; politicized spaces. | ||
Prerequisites: ART1311, ART1321, ART1331, ART1341. BFA, MVA. A passive knowledge of French is required. Previously: ART2015. (P). | ||
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ART2923 | Sculpture en transformation I : Matérialité et méthode / Sculpture in Transformation I: Materiality and Process | (0,0,4) 3 cr. |
Exploration of unstable materials, forms and situations - in movement, in transformation - as traces of an event or a process. | ||
Prerequisites: ART1311, ART1321, ART1331, ART1341. BFA, MVA. A passive knowledge of French is required. Previously: ART2024. (P). | ||
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ART2924 | Sculpture en transformation II : In situ / Sculpture in Transformation II: In Situ | (0,0,4) 3 cr. |
Contexualization of sculptural production within the larger social, political and environmental surround; notions of private/public, inside/outside, site specificity, the everyday, architecture, monument and installation. | ||
Prerequisites: ART1311, ART1321, ART1331, ART1341. BFA, MVA. A passive knowledge of French is required. Previously: ART3026. (P). | ||
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ART2925 | Sculpture et image / Sculpture and Image | (0,0,4) 3 cr. |
Exploration of the relationships between sculptural and two-dimensional space: the plane, frontality, instantaneous perception, opticality. The generating of sculptural projects through the exploration of personal thoughts and ideas, and through the investigation of myth, history, mass media representations and popular culture; issues of figuration and narration. | ||
Prerequisites: ART1311, ART1321, ART1331, ART1341. BFA, MVA. A passive knowledge of French is required. Previously: ART2025. (P). | ||
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ART2926 | Sculpture et concept / Sculpture and Concept | (0,0,4) 3 cr. |
The examination of the relationships among research, idea, language and object; conceptual and material-based inquiry; the translation of thought into sculptural form. The development of a series of sculptural projects from initial conceptual framework to final elaboration and resolution. | ||
Prerequisites: ART1311, ART1321, ART1331, ART1341. BFA, MVA. A passive knowledge of French is required. (P). | ||
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ART2932 | Atelier de photographie I / Photography Workshop I | (0,0,4) 3 cr. |
Development of the visual, technical and critical skills necessary for the elaboration of a personal photographic art practice. Introduction to the historical and theoretical concepts needed to discuss and formulate ideas about photography within the larger culture of images. | ||
Prerequisites: ART1311, ART1321, ART1331, ART1341. BFA, MVA. A passive knowledge of French is required. Previously: ART2032. (P). | ||
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ART2933 | Le corps photographique et le portrait / The Photographic Body and the Portrait | (0,0,4) 3 cr. |
The development of a personal photographic art practice with a concentration on the body, portraiture and their related genres, issues, and theories within contemporary art and image culture. | ||
Prerequisites: ART1311, ART1321, ART1331, ART1341. BFA, MVA. A passive knowledge of French is required. Previously: ART2032. (P). | ||
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ART2934 | Photographie en noir et blanc / Black and White Photography | (0,0,4) 3 cr. |
Introduction to traditional techniques involved with exposing negatives and darkroom printing. An exploration of the historical and contemporary issues related to film-based photography. | ||
Prerequisites: ART1311, ART1321, ART1331, ART1341. BFA, MVA. A passive knowledge of French is required. Previously: ART3033. (P). | ||
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ART2940 | Pratiques médias I : Techniques de l'observateur / Practices in Media I: Techniques of the Observer | (0,0,4) 3 cr. |
The production of individual art projects in a variety of media; the introduction to relevant artists work; cultural notions of the spectator/subject relationship, such as point of view, voyeurism and surveillance. | ||
Prerequisites: ART1311, ART1321, ART1331, ART1341. BFA, MVA. A passive knowledge of French is required. Previously: ART2040. (P). | ||
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ART2941 | Pratiques médias II : Extensions / Practices in Media II : Extensions | (0,0,4) 3 cr. |
Opportunities for perceptual extensions within art practice. Select projects related to media strategies such as: telepresence, projection, installation, forms of sensory immersion and related issues of the cultural construction of sense experience. | ||
Prerequisites: ART1311, ART1321, ART1331, ART1341. BFA, MVA. A passive knowledge of French is required. Previously: ART2040. (P). | ||
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ART2942 | Recherche en médias I : Hybrides / Research in Media I: Hybrids | (0,0,4) 3 cr. |
Exploration of the possibilities for artistic hybridity afforded by the interface of new and traditional technologies, the mixing of material and virtual realities. Investigation of related issues such as the utopian claims of media and media art. | ||
Prerequisites: ART1311, ART1321, ART1331, ART1341. BFA, MVA. A passive knowledge of French is required. Previouly: ART3040. (P). | ||
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ART2943 | Recherche en médias II : Interactions / Research in Media II:Interactions | (0,0,4) 3 cr. |
Media art projects addressing the diversity of opportunities and strategies for participatory, collaborative practices or social interventions. Topics may include tactical media, real time, performance, site specificity, social action art, private and public space, and interactivity. | ||
Prerequisites: ART1311, ART1321, ART1331, ART1341. BFA, MVA. A passive knowledge of French is required. Previously: ART3040. (P). | ||
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ART2951 | Dessin I : Matérialité et méthode / Drawing I: Materiality and Process | (0,0,4) 3 cr. |
Development of the physical characteristics of drawing and of diverse drawing practices, through the use of various materials, tools and processes, including non-traditional drawing materials and mixed media. Introduction to various supports, grounds, mediums and techniques related to mark-making and image. | ||
Prerequisites: ART1311, ART1321, ART1331, ART1341. BFA, MVA. A passive knowledge of French is required. Previously: ART2051. (P). | ||
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ART2952 | Dessin II : La forme humaine / Drawing II: The Figure | (0,0,4) 3 cr. |
Development of perceptual awareness and analytic skill through study of the body both as singular form and in varying contexts. Modelling, light and shadow; contour; issues of identity and figuration; representation of the self and other. | ||
Prerequisites: ART1311, ART1321, ART1331, ART1341. BFA, MVA. A passive knowledge of French is required. Previously: ART2051. (P). | ||
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ART3115 | Art in Public Spaces | (3,0,0) 3 cr. |
Examination of modern and contemporary public art practices and of diverse questions related to art in public spaces, such as the site, urban and natural environments, the public sphere, commemoration and a broadened understanding of audience. | ||
Prerequisite : ART2161 or permission of the Department. (H). | ||
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ART3116 | Art and New Technologies | (3,0,0) 3 cr. |
The impact of new technologies on contemporary artistic practices, their production, mediation and dissemination. | ||
Prerequisite : ART2161 or permission of the Department. (H). | ||
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ART3117 | Art and Gender | (3,0,0) 3 cr. |
Exploration of sexual and gender identities and roles through the study of Modern and contemporary artistic practices and theories: feminism, masculinity, Queer studies and transgender issues, among others. | ||
Prerequisite : ART2161 or permission of the Department. (H). | ||
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ART3118 | Art, Globalization and Cultural Hybridities | (3,0,0) 3 cr. |
Impact of globalization on cultural practices and theories since the Enlightenment, with an emphasis on Orientalism, colonialism, cultural appropriation and the development of international art networks, among other issues. | ||
Prerequisite : ART2161 or permission of the Department. (H). | ||
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ART3170 | Modern Art and the Crisis of Representation | (3,0,0) 3 cr. |
History of modern art from the middle of the XIXth century to World War I through a study of chosen issues. | ||
Prerequisite : ART2161 or permission of the Department. (H). (Formerly : ART2170). | ||
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ART3171 | Art, Utopia and the Avant-garde | (3,0,0) 3 cr. |
History of modern art from World War I to the early 1960s through a study of chosen issues. | ||
Prerequisite: ART2161 or permission of the Department. (H). (Formerly : ART2171). | ||
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ART3180 | Art after Modernism | (3,0,0) 3 cr. |
History of artistic practices in the 1960's and 1970's through a study of chosen issues. | ||
Prerequisite : ART2161 or permission of the Department. (H). | ||
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ART3181 | Artistic Strategies of the Postmodern Era | (3,0,0) 3 cr. |
The exploration of artistic practices since the 1980s through a study of chosen issues. | ||
Prerequisite : ART2161 or permission of the Department. (H). | ||
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ART3334 | Canadian Art and Cultural Identities | (3,0,0) 3 cr. |
Study of Canadian artistic practices through the lens of national identities and cultural diversity, with an emphasis on the Modern and contemporary periods. | ||
Prerequisite : ART2161 or permission of the Department. (H). | ||
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ART3344 | Museum Studies and Artistic Practices | (3,0,0) 3 cr. |
Study of different functions of the art gallery and museum: the exhibition, dissemination, collection, conservation and documentation of art. The impact of contemporary critical theories on museal practices. | ||
Prerequisite : ART2161 or permissin of the Department. (H). | ||
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ART3354 | Inuit and Amerindian Art | (3,0,0) 3 cr. |
Study of the traditional and contemporary arts of the Inuit and Amerindian peoples in their anthropological, historical and political contexts. | ||
Prerequisite : ART2161 or permission of the Department. (H). | ||
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ART3364 | Histories and Theories of Photography | (3,0,0) 3 cr. |
Histories and theories of photography from the XIXth century to the present through the study of chosen issues. | ||
Prerequisite : ART2161 or the permission of the Department. (H). | ||
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ART3374 | Artists and Critical Discourse | (3,0,0) 3 cr. |
An examination of Modern and contemporary artistic practices and their cultural mediations through the discourses of artists and art critics. | ||
Prerequisite : ART2161 or permission of the Department. (H). | ||
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ART3515 | L'art dans l'espace public | (3,0,0) 3 cr. |
Examen de pratiques d'art public modernes et contemporaines et des différents enjeux de l'art dans l'espace public, tels le site, les milieux urbains et naturels, la sphère publique, la commémoration et la notion élargie de public. | ||
Préalable : ART2561 ou permission du Département. (H). | ||
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ART3516 | Art et nouvelles technologies | (3,0,0) 3 cr. |
Incidences des nouvelles technologies sur les pratiques artistiques, leur production, leur médiation et leur diffusion. | ||
Préalable : ART2561 ou permission du Département. (H). | ||
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ART3517 | Art et genre | (3,0,0) 3 cr. |
Exploration des identités sexuelles et des genres à travers l'étude des pratiques et des théories artistiques modernes et contemporaines : féminisme, masculinité, études gaies et lesbiennes, les enjeux de la transsexualité, etc. | ||
Préalable : ART2561 ou permission du Département. (H). | ||
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ART3518 | Art, mondialisation et métissages culturels | (3,0,0) 3 cr. |
Incidences de la mondialisation sur les pratiques et les théories de l'art depuis le XVIIIe siècle : l'orientalisme, le colonialisme, l'appropriation culturelle, le développement des réseaux artistiques internationaux, etc. | ||
Préalable : ART 2561 ou permission du Département. (H). | ||
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ART3570 | Art moderne et crise de la représentation | (3,0,0) 3 cr. |
Histoire de l'art moderne du milieu du XIXe siècle jusqu'à la Première Guerre mondiale à travers l'étude de problématiques choisies. | ||
Préalable : ART2561 ou permission du Département. (H). (Antérieurement : ART2570). | ||
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ART3571 | Art, utopies et avant-gardes | (3,0,0) 3 cr. |
Histoire de l'art moderne de la Première Guerre mondiale au début des années soixante à travers l'étude de problématiques choisies. | ||
Préalable : ART 2561 ou permission du Département. (H). (Antérieurement : ART2571). | ||
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ART3580 | L'art après le modernisme | (3,0,0) 3 cr. |
Histoire des pratiques artistiques dans les années soixante et soixante-dix à travers l'étude de problématiques choisies. | ||
Préalable : ART2561 ou permission du Département. (H). | ||
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ART3581 | Stratégies artistiques de la postmodernité | (3,0,0) 3 cr. |
Exploration des pratiques artistiques depuis les années quatre-vingt à travers l'étude de problématiques choisies. | ||
Préalable : ART2561 ou permission du Département. (H). | ||
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ART3734 | Art canadien et identités culturelles | (3,0,0) 3 cr. |
Étude des pratiques artistiques canadiennes, plus particulièrement modernes et contemporaines, à travers les questions d'identités nationales et de diversité culturelle. | ||
Préalable : ART2561 ou permission du Département. (H). | ||
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ART3744 | Études muséales et pratiques artistiques | (3,0,0) 3 cr. |
Étude des différentes fonctions des institutions muséales artistiques : l'exposition, la diffusion, la collection, la conservation, la documentation. Incidences des théories culturelles contemporaines sur les pratiques muséales. | ||
Préalable : ART2561 ou permission du Département. (H). | ||
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ART3754 | Art inuit et amérindien | (3,0,0) 3 cr. |
Étude des arts traditionnels et contemporains des inuits et des amérindiens dans leurs contextes anthropologique, historique et politique. | ||
Préalable : ART2561 ou permission du Département. (H). | ||
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ART3764 | Histoires et théories de la photographie | (3,0,0) 3 cr. |
Histoires et théories de la photographie du XIXe siècle jusqu'à nos jours à travers l'étude de problématiques choisies. | ||
Préalable : ART2561 ou permission du Département. (H). | ||
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ART3774 | L'artiste et le discours critique | (3,0,0) 3 cr. |
Examen des pratiques artistiques modernes et contemporaines, et de leurs médiations culturelles à travers l'étude du discours des artistes et des critiques d'art. | ||
Préalable : ART2561 ou permission du Département. (H). | ||
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ART3916 | Peinture et source I : Questions de représentation / Painting and Source I: Issues of Representation | (0,0,4) 3 cr. |
The exploration of systems of representation in painting in relation to subject matter and pictorial strategies; symbolism and iconography; appropriation, culture and mediation; realism; text and image. | ||
Prerequisites: 3 credits at the 2000-level in Painting and 3 credits at the 2000-level in Painting or Drawing. BFA. A passive knowledge of French is required. Previously: ART3016. (P). | ||
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ART3917 | Peinture et source II : Structures narratives et séries / Painting and Source II: Narrative and Series | (0,0,4) 3 cr. |
The construction of meaning through the use of narrative and series in painting, as the exploration of personal experience, thought, event, idea, story and history, mass media and popular culture. | ||
Prerequisites: 3 credits at the 2000-level in Painting and 3 credits at the 2000-level in Painting or Drawing. BFA. A passive knowledge of French is required. Previously: ART3016. (P). | ||
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ART3926 | Sculpture en contexte I : Pratiques en installation / Sculpture in Context I: Practices in Installation | (0,0,4) 3 cr. |
Exploration of the strategies related to installation art practices. Exploration of multimedia installations that include light, sound, video and/or film projections, live feeds, and sculptural assemblages, found objects, collections, information systems, and archives. | ||
Prerequisites: 3 credits at the 2000-level in Sculpture and 3 credits at the 2000-level in Sculpture, Photography or Media. BFA. A passive knowledge of French is required. (P). | ||
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ART3927 | Sculpture en contexte II : Approches à la performance / Sculpture in Context II: Practices in Performance | (0,0,4) 3 cr. |
Exploration of performance art strategies and concerns such as Dada, Conceptual Art, Fluxus, body art, guerilla theatre, agit-prop, social interventions, ritual, narrative, story-telling, site-specificity and questions around the recording of performances. The conception, production and performance of individual and collaborative projects. | ||
Prerequisites: 3 credits at the 2000-level in Sculpture and 3 credits at the 2000-level in Sculpture, Photography or Media. BFA. A passive knowledge of French is required. (P). | ||
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ART3932 | Atelier de photographie II / Photography Workshop II | (0,0,4) 3 cr. |
A widening and deepening of the practical and theoretical skills acquired in Photography Workshop I. An enhanced emphasis on self-directed art practice and class discussion of one s work. | ||
Prerequisites: 3 credits at the 2000-level in Photography and 3 credits at the 2000-level in Photography or Media. BFA. A passive knowledge of French is required. Previously: ART3032. (P). | ||
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ART3933 | Photographie et contexte contemporain / Photography and Contemporary Context | (0,0,4) 3 cr. |
An issue-based course emphasizing self-directed studio practice informed by current theory in photography and under the guidance of the professor. An applied exploration of current presentation strategies in photography such as: the exhibition, the installation, the book, the blog or other forms appropriate to a developing art practice. | ||
Prerequisites: 3 credits at the 2000-level in Photography and 3 credits at the 2000-level in Photography or Media. BFA. A passive knowledge of French is required. Previously: ART3032. (P). | ||
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ART3934 | Techniques et critiques en photographie / Techniques and Critiques in Photography | (0,0,4) 3 cr. |
Research and discussion of contemporary photo-based artists and the critical and formal issues surrounding their work. Research of various studio techniques including analogue/digital combinations, high-resolution scanning, digital processing and printing. | ||
Prerequisites: 3 credits at the 2000-level in Photography and 3 credits at the 2000-level in Photography or Media. BFA. A passive knowledge of French is required. Previously: ART3033. (P). | ||
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ART3944 | Méthodes avancées en médias / Advanced Practices in Media | (0,0,4) 3 cr. |
Interdisciplinary media workshop; development of independent projects and the production of a coherent body of work building on issues explored in previous media art courses. | ||
Prerequisites: 3 credits at the 2000-level in Media and 3 credits at the 2000-level in Media or Photography. BFA. A passive knowledge of French is required. Previously: ART3041. (P). | ||
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ART3945 | Atelier/Séminaire en médias : Projets spéciaux / Media Studio/Seminar: Special Projects | (0,0,4) 3 cr. |
Production of special projects in media art and guided readings related to the students research. Possible areas of investigation include emerging imaging technologies, biotechnology, the sensorium, media archaeology, and aboriginal media art. Interdisciplinary collaborations with invited researchers as well as university and external research agencies. | ||
Prerequisites: 3 credits at the 2000-level in Media and 3 credits at the 2000-level in Media or Photography. BFA. A passive knowledge of French is required. Previously: ART3041. (P). | ||
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ART3952 | Dessin III : Dessin analytique / Drawing III: Analytical Drawing | (0,0,4) 3 cr. |
Enquiry into the nature and the structure of what we see and the development of perceptual awareness; relationships of form; dimensionality; sighting; the transformation of sense experience; relationship of drawing mark to image; the examination of form and content through development of analytical skills. | ||
Prerequisite: ART2951 or ART2952. BFA. A passive knowledge of French is required. Previously: ART3051. (P). | ||
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ART3953 | Dessin IV : Expressivité / Drawing IV: Expressivity | (0,0,4) 3 cr. |
Subjectivity in the act of drawing; response to the seen and felt; the development of a pictorial language and personal expression through the use of various drawing vocabularies. | ||
Prerequisite: ART2951 or ART2952. BFA. A passive knowledge of French is required. Previously: ART3051. (P). | ||
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ART3990 | Atelier indépendant : Thèmes choisis / Independent Studio: Selected Topics | (0,0,4) 3 cr. |
Independent exploration of a specific studio project under the guidance of a professor. A project proposal must be submitted and approved by the Department before March 15, and a schedule of meetings will be established at the beginning of the semester. | ||
Prerequisite: Permission of the Department. BFA. A passive knowledge of French is required. (P). | ||
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ART4115 | Special Topics in History and Theory of Art | (3,0,0) 3 cr. |
Topic chosen from among historical or theoretical questions of current concern. | ||
Prerequisite : to be determined according to the subject. (H). | ||
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ART4515 | Thèmes choisis en histoire et théorie de l'art | (3,0,0) 3 cr. |
Thème choisi parmi les questions historiques ou théoriques que soulève l'actualité. | ||
Préalable : à déterminer selon le sujet du cours. (H). | ||
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ART4900 | Stage / Apprenticeship | (3,0,0) 3 cr. |
Period of assistantship and practical studies with a professional (artist, researcher, curator, records manager, administrator, etc.) who must provide the Department with a description of both the work program and the evaluation process for approval. The practicum director and the student must present a final report to the Department. Duration of apprenticeship: 150 hours. Grade: Satisfactory / Not satisfactory. | ||
Prerequisite: 77 university credits. (Grade: Satisfactory / Not satisfactory). BFA, MH. (P/H). | ||
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ART4915 | Thèmes choisis en histoire et théorie de l'art / Special Topics in History and Theory of Art | (3,0,0) 3 cr. |
Topics chosen from among historical or theoretical questions of current concern. | ||
Prerequisite: Permission of the Department. This course requires a good knowledge of English and French. (H). | ||
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ART4919 | Peinture : Pratique et idée / Painting: Practice and Idea | (0,0,4) 3 cr. |
Self-directed painting practice under the guidance of a painting professor; its contextualization in contemporary art and the study of issues and theories that inform contemporary painting, and its relationship to other contemporary practices. | ||
Prerequisites: ART3916 or ART3917 and 3 credits (P) at the 3000-level. BFA. A passive knowledge of French is required. (P). | ||
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ART4929 | Atelier de sculpture/médias / Sculpture/Media Studio | (0,0,4) 3 cr. |
Advanced workshop focusing on sculptural and new media practices and the interface between them; sculpture and media in relationship to installation art, performance, video, sound, kinetics, electronics, etc. | ||
Prerequisites: 6 credits (P) at the 3000-level including 3 credits from: ART3927, ART3929, ART3944, ART3945. BFA. A passive knowledge of French is required. (P). | ||
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ART4936 | Atelier de photographie/médias / Photography/Media Studio | (0,0,4) 3 cr. |
Interdisciplinary workshop focusing on the redefinition of traditional boundaries between photography and media art practices. | ||
Prerequisites: 6 credits (P) at the 3000-level including 3 credits from: ART3932, ART3933, ART3934, ART3944, ART3945. BFA. A passive knowledge of French is required. (P). | ||
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ART4955 | Séminaire de recherche en histoire et théorie de l'art / Research Seminar in History and Theory of Art | (3,0,0) 3 cr. |
Bilingual seminar in History and Theory of Art enabling students to develop a personal research project, by applying practical research methods and strategies, drawing on theoretical approaches commonly used in the discipline, and developing skills in critical thinking. | ||
Prerequisite: 77 university credits or permission of the Department. MH. A passive knowledge of French is required. (H). | ||
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ART4956 | Travaux dirigés I / Directed Research I | (3,0,0) 3 cr. |
Under the supervision of a professor the student will undertake a program of selected readings and personal research in an area of art history or of art theory. | ||
Prerequisite: 77 university credits. BFA, MH.(H). | ||
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ART4957 | Travaux dirigés II / Directed Research II | (3,0,0) 3 cr. |
Under the supervision of a professor the student will undertake a program of selected readings and personal research in an area of the history or theory of art. | ||
Prerequisite : ART4956 and permission of the Department. Reserved for students registered in the Major in History and Theory of Art. (H). | ||
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ART4987 | Pratiques professionnelles en art / Professional Practices in Art | (0,0,4) 3 cr. |
Preparation for life as an artist after graduation. Class time is devoted to guest and student presentations, group projects and on-site visits. | ||
Prerequisite: 6 credits (P) at the 3000 level. BFA. A passive knowledge of French is required. (P). | ||
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ART4988 | Atelier dirigé I / Directed Studio I | (0,0,4) 3 cr. |
Individual artistic research and collective critiques under the direction of a professor. | ||
Prerequisite: 6 credits (P) at the 3000 level. BFA. A passive knowledge of French is required. Previously: ART4080. (P). | ||
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ART4989 | Atelier dirigé II / Directed Studio II | (0,0,4) 3 cr. |
Individual artistic research and collective critiques under the direction of a professor, culminating in the exhibition and evaluation of studio work by a committee of professors. | ||
Prerequisite: ART4988. BFA. A passive knowledge of French is required. Previously: ART4089. (P). | ||
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ART4990 | Thèmes choisis / Special Topics | (0,0,4) 3 cr. |
Practical research on a selected topic. | ||
Prerequisite: Permission of the Department. BFA. A passive knowledge of French is required. Previously: ART4090. (P). | ||
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